Last posts on alice raymond

Bazar

2012-04-24T00:56:00+02:00

L'installation Bazar avec... présentée à la Chapelle Saint-Loup de Saint-Loubès est constituée d'œuvres et objets personnels, augmentés durant l'exposition d'éléments apportés par les visiteurs.

The installation Bazar avec... presented at the Chapelle Saint-Loup in Saint-Loubès consists of works and personal items, increased during the exhibition of items brought by visitors.

Bazar avec… Alexandre Roudeix, Aurélie Martinez, Emmanuelle Maura, Pierre Lepec, Catherine Cousy, Siona Brotman, Anouk Dykmeyer, Emmanuel Beau, Lou Dykmeyer, Luc Detot, Louna Rhabri, Aza Rhabri, Caroline Baurès, Nathalie Cailhault, les enfants Adrien, Ainhoa, Anaïs, Anaëlle, Adonis, Antoine, Arthur, Benjamin, Chahine, Clément, Clara, Léo, Leïla, Noah, Ohiana, Shana, Thomas, Titaïna, William, Yasmine, Mélina avec Caroline B., Anaïs Paupion, Emma Manquist, Anaïs Vernon, Mathilde Liron, Enola Larroche, Anaïs Prévoteau, Matéo Sebileau, Ilona, Nathan, Gabriel, Madame Dupuis, Louna Maussion, Clara Petit-Lafon, Mathias Sauvage, Antoine Chelle, Elsa Militon, Célia Pierre, Océane Lafon, Tomas Rodriguez, Lou Sébille, Clémence Le Mignon, Dylan Mégrier, Mathéo Baudot, Hugo Aguer, Lila Andry, Thibault Banos, Lou Baron, Eléa Barraud, Axel Blanchard, Lana Blanchard, Tom Carrot, Noah Cazes, Amel Chentit, Natacha Delpeuch, Lenny Dufau, Léa Faure, Enzo Filatreau, Valentin Fontaine, Marion Fontan, Anaïs Fourcade, John Fourcade, Sarah Frisach, Manon Geiller, Emilie Guery, Charline Guillot, Maïlys Justine, Inès Lahmaza, Arnaud Lopez, Raimy Pecyna, Marine Maroteaux, Madame Bel-Cruz.

Matériaux et dimensions variables, 2013

©Alice Raymond 2013

EXPOSITION à SAINT-LOUBES, DU 2 AU 10 FEVRIER 2013

L’individu et le collectif, le don et l’abandon, la construction et l’occupation sont des questions soulevées dans ce Bazar proposé à la chapelle du prieuré. Dans une tentative de délimitation d’un territoire, les éléments installés se perdent entre un statut d’œuvre exposée et celui d’objet. L’habitat précaire abrite une sorte d’arrêt sur le temps, où tout prend valeur de souvenir.

Les visiteurs peuvent participer en déposant dans le bazar des éléments similaires à ceux déjà proposés (couvertures, tissus de leur grenier, dessins), mêlant leurs souvenirs à ceux de l’artiste et laissant à chacun la possibilité mentale de se les approprier tous.

Le titre du projet s’allongera avec le nombre des participants : Bazar avec…

Les objets sont récupérés par leur propriétaire après l’exposition.

EXHIBITION SAINT LOUBES, FRANCE, FEBRUARY 2-10, 2013

The individual and the collective, gift and abandonment, construction and occupancy are the issues raised in this Bazaar. In an attempt to define a territory, the installed items are lost between the status of a piece of art and that of a displayed object. The precarious dwelling houses a sort of stop in time, in which everything is worth remembering.

Visitors may participate by filling in the Bazaar with their own elements, similar to those already proposed (blankets, fabrics, their attic, drawings) combining their memories with the artist's and giving everyone the opportunity to mentally appropriate them all.

The title of the project will expand with the number of participants: Bazaar with...

Items brought by the participants will be returned at the closing of the exhibition.

more info: http://ateliersprieure.eklablog.com/exposition-7-p505277

Donations

2012-03-21T05:43:00+01:00

Those works are part of a period of work based on Donations. Each piece is related to a friend or relative who gave me supplies to work in a studio offered for free.
The Donations pieces wonder about the legitimity of possession, brings up collective pluralistic ideas and questions the individualistic tendencies.

Click on pictures to enlarge

Donation 2 : The Jen Series, Paint on wood, 40x40cm; 2 pieces in situation

Paint on paper, 120x250 cm, 2012

Donation 3 : The Paco Series, Paint on paper, circa 40x40 cm. Photographs of work in situation

Donation 1 : The Jet Series

Efficient, Monolith, Jet Series. Paint on paper, 20x50", 2012. Series of 8 paintings

All rights reversed © Alice Raymond

Unit

2012-02-03T00:04:00+01:00

Unit #3, Installation / Performance,Art Live Fair, Coconut Grove, 2012

see here Video by Neal Hecker

Installing a sculpture / Providing an intimate space

Organizing my studio / Sharing my space

Facilitating the two by two / Sharing my walls

Accepting the working over / Growing the collective piece

Focusing on the meeting in the working process / Keeping track of each one by one

Giving the piece away / Keeping the process going

All rights reversed © Alice Raymond

_____________________________________________________________________________

UNIT #2

Performance, Dimensions Variable, Miami, 2012

Film by Jayme Gershen>Link: https://vimeo.com/51169548

All rights reversed © Alice Raymond & Jayme Gershen

Issues with borders, laws regarding to art transportation, nomadic life and creation.

_____________________________________________________________________________

UNIT

Solo show at Dimension Variable, Miami, FL

January 14 - March, 2012

http://dimensionsvariable.net/2011/12/22/unit-alice-raymond/

All rights reversed © Alice Raymond

Work based on invitation to form a collection with the artist.

Unit consists of :
Jenny Brillhart, Annie Hollingsworth, Jet Sargent, Stephanie Marie, Chad Cunha, Jacqueline Soir, Domingo Castillo, Leyden Rodriguez, Frances Trombly, Randolph Gonzales, Paul Steen, Per Nyström, Adler Guerrier, Jayme Gershen, Emmett Moore, Larry Newberry, Sabine Herrmann, Carol Jazzar, Misael Soto, Alice Raymond.

Jet Sargent

Kind of Untitled, Cross Stitches and Lexicon on small table

"I am a firm believer in not taking oneself too seriously".

By combining the soft comfort of cross stitching with the depravity that lives in my brain, life makes a little more sense."

Jacqueline Soir

Untitled, 3 digital black and white photographs

Jacqueline Rios "Soir" was raised and live in Miami, born in Nicaragua. She is currently pursuing a Bachelor degree in Fine Arts from New World School of the Arts with a focus on Photography. Her work is mostly staged photographs with obscure figures that represent metaphors for the unconscious and the hidden, personality and the soul, life and death, human nature.

www.jacquelinesoir.blogspot.com

Jenny Brillhart

Intercontinental Hotel Vent, 2011, Painting on wooden structure

Brillhart’s work is concerned with a dialogue between made and found spaces and forms, and their relationship to place, structure and organization. She uses traditional methods of still life, studio practice, photography and paint to inform each object or painting, bringing to it a new history and diary of existence, and then proposing to forward that record to future, unknown contexts. These objects are therefore always in flux, whether made or found, and striving to stay in keeping with the initial impulse of authorship, making, or purpose. The formation of objects and materials reveals a process of adding and subtracting on purpose or in err, in an attempt to balance or level ideas of beauty, form, structure and narrative.

Brillhart was born in Keene, NH. She received her BA from Smith College, then attended the Art Students League in NY and went on to receive her MFA in from the New York Academy of Art. She lives and works in Miami, Florida.

Brillhart's most recent solo show was at Dorsch Gallery in 2011. In 2010 she showed new work with Kuckei + Kuckei Gallery in Berlin and she was chosen for New Work Miami at the Miami Art Museum, curated by Rene Morales and Peter Boswell. Brillhart recently participated in group shows at venues including The Naples Museum of Art (Naples, FL), David Castillo Gallery (Miami, FL), the Anhaltinischen Gemäldegalerie Museum in Dessau, Roemerapotheke Gallery in Zurich, The Art Gallery at Government Center in Miami, Morgan Lehman Gallery in NY and CT, and ArtCenter/South Florida in Miami Beach. Her work has been published in The McKinsey Quarterly, New American Paintings and Miami Contemporary Artists. She was awarded the Chestler Foundation Grant and a Vermont Studio Center grant.

www.jbrillhart.com

Carol Jazzar

Exploring youth in my head and with my hands, Text based collage, September 2011-January 2012

Annie Hollingsworth

Sketch for Elegua costume, 2012; Sketch for Shango costume, 2012; Sketch for Swange costume, 2012

At the end of 2011, my dance company Mayami Folklorico pulled together a diverse group of folkloric dancers and drummers for our first full-length show. As the production progressed, it became clear that this show had a life of its own. With only a week left for rehearsal, the pieces I had expected to produce fell away, leaving me with something very different than what I had originally planned. It was a volatile transformation marked by an indecent marriage proposal, a clash between spiritual philosophies, and a major shift in casting—an appropriate finale for a show whose purpose was the union of Haitian and Cuban Folklore (and all of their attendant energies). I could never say which show would have been better, the one I had expected or the one that was actually brought into form, but in the end life was given to only one.

The three "lost" pieces have remained as persistent ideas. Alice was there in the cafe on the day that these particular pieces were first proposed, so for Unit I've sent her color swatches for the costumes that were never finished. In traditional dances, the color combinations and geometric patterns of the costumes name the deity or group of spirits embodied on stage.

Chad Cunha

Preservation boxes, Found card board, hinges, lock, key, magnets, 2011

Chad’s work investigates instances of oscillating energy between concepts, visuals and perspectives.

http://cargocollective.com/chadcunha

Leyden Rodriguez

Frame, paper, wood

Frances Trombly

Primed Canvas, Handwoven Canvas, gesso, 23 X 23 inches

Born in Miami, Florida where she lives and works, Frances received a BFA from the Maryland Institute College of Art and completed residencies at the Capri Palace in Anacapri, Italy in 2009 and the Vermont Studio Center in 2007. Trombly has exhibited throughout the US, as well as venues abroad, including an installation at Socrates Sculpture Park in New York and numerous group exhibitions.

Recent solo exhibitions of her work include: Not Paintings, Shoshana Wayne Gallery, Santa Monica (2011); Everything and Nothing, Goldie Paley Gallery, Moore College of Art & Design, Philadelphia (2011); Paintings, Girls’ Club, Ft. Lauderdale, Florida (2010); A Point From Which to Start, Galeria Casas Riegner, Bogotá, Colombia (2010); Thinking of Things at David Castillo Gallery, Miami (2008); and Frances Trombly, Kevin Bruk Gallery, Miami (2006).

Her work has been featured in various publications including Art + Auction, Art Papers, Sculpture Magazine, Surface Design Journal, and The Los Angeles Times and is in the permanent collection of the Museum of Contemporary Art, North Miami, Florida, as well as in private collections throughout the United States. In 2009, she received a South Florida Cultural Consortium Fellowship for Visual & Media Artists.

http://www.francestrombly.com

Randolph Gonzales

Alison, Pyrography

I’m from Albuquerque. Been in Miami for 9 years. My art is based on pure feeling, of all things on earth. Some things move m